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Wednesday, December 5, 2012

A Woman of the Hills



In November 2012, the Black Hills Writers published their first anthology, Granite Island, Amber Sea, a tribute to the beautiful Black Hills area and the stories from people fortunate to call it home.

I promised to post my story from Granite Island, Amber Sea so here it is. And I must say it was a great thrill to be included!



A Woman of the Hills

Quietly, my sister and I rock on the porch of my South Dakota cabin, chairs creaking in gentle harmony.
I murmur to her, “These aren’t really mountains, you know. I always thought I wanted to live in the mountains.”

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 I have a Western heritage. As a child, riding on the glacier silt of our Alaskan farm under the shadows of mountain peaks, the West was imprinted on my young soul. Eight years of my life were in the spectacular mountains of Colorado. I’ve climbed up and rappelled down their rocky outcroppings.  Majestic and breathtaking, they pierce the sky.   In the unrestrained joy of youth, I skied their steep slopes and powder filled bowls. Unchanging monoliths, they are also unpredictable – with sudden June snows and summer afternoon thunderstorms. Big. Challenging. Maybe a bit intimidating. But to me, mountains defined home.

Some of us never leave home; some spend a lifetime looking for that place. Too many years of my life were lived outside the West and when my heart was ready, I heard the call to find my home, my place. Now here in the Black Hills, my barn smells of the dusty hay and animals of childhood. A pickup truck sits in my driveway. Back to wearing hiking shoes, I also bought my first pair of cowboy boots – not because I have cows or even a horse but to honor my dad. His battered, old Tony Lamas stand by my hearth.

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Years ago as a college student, I climbed mountain passes in my old, hand-me-down station wagon between home and my mountain college. The college that gave me a mountain man. And one cold winter, he drove me north from my Colorado mountains to the Black Hills. We arrived in Lead, South Dakota with a diamond on my finger; I was ready to meet his family, to see his mountains.
They weren’t mountains. And Lead wasn’t appealing in the seventies —grim with black snow piled along the slushy streets. The mine poured tailings into the valleys and streams. Life there was cold and hard. My husband was from South Dakota; he wasn’t going back to logging or mining jobs, to small towns, sad bars and hard times. And that was fine with me. I told him I never wanted to live in South Dakota.

So we moved to the East and beyond. For twenty years, we moved from military base to military base, from adventure to adventure. There was a house surrounded by the flat marshes and sandy soil of North Carolina, a tiny apartment in the Orient and a large stone house in Italy. It was a life was full of military jargon, overseas assignments and world travel. And after twenty years of the gypsy life, our family settled down to the America dream – busy kids, a dog and a cat, a house in the suburbs with a two car garage, and long hours of commuting. It was also a life filled with the stress and tension of long demanding workweeks packed between short weekends. And it was a life far from the mountains.


But during all those years away, we would return to South Dakota for family visits – driving or flying to the Black Hills. Much of our life was full of change, impermanent as the wind – except for that long western road home. Flying into Colorado, we traveled north through the vast prairie of southeastern Wyoming, desolate only to the unseeing eye, timeless and comforting to me. Stalwart buttes rose above the endless grasses. Pausing to stretch, we inhaled air pungent from spicy sage, their bluish tufts rolled in gentle, blue green waves of a vast inland sea. In giddy freedom, the children raced up dusty ranch roads, the wind ruffling their blond hair. We were back in the land of wind and big sky.  

Our car climbed into the foothills, the dark pines beckoning us closer. Following rushing streams down dark canyons and across lush meadows, we drove on. As we descended Icebox Canyon into town, the air was crisp; our windows open to familiar smells of pine and fresh cut timber. We had returned once more to the familiar land of dark pine, cold waterfalls and rocky spires.



Eventually my mother and father left Colorado and settled in the Central Hills of the South Dakota Black Hills. A sturdy cabin, built with loving hands, held our family visits and my parents grew old together. My husband’s mother had died early in our marriage, and twenty years later his dad died, and he was laid beside her under the endless prairie sky.  Suddenly, my strong, ever-present father was dead, close by them under a simple stone. They all rest in the shadow of the dark and fragrant hills.

And much too soon, I returned once more from the East, this time to bury my husband. My children and I traveled in the golden light of a perfect fall afternoon, moving across the prairie, past the steadfast buttes that stretched their purple shadows across the gilded grass. The wind was quiet as the evening came. Even through our tears, the prairie and the hills held comforting beauty, splendid and timeless. And, as in the years before, we drove onward to the ever-beckoning pines of the Black Hills. I held my husband’s ashes in a smooth wooden box and took my mountain man to his home.

So my husband was placed in the ground near my father and his parents. There under the sky, at the edge of the dark hills, he was home. The far sea of prairie grass rippled in the ever-present wind. Gently swaying, tall pine trees sighed and whispered.

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But I returned east to find a job. There was a house to maintain, sad children to raise, a life alone to figure out. Accustomed to the masses of people and the constant traffic, the congested flow irritated me but also delivered me to museums, symphonies, and shopping. The pace around me was fast but good friends and my church community supported me as I slowly found my way.
One by one, the children grew up and left, starting their own lives. And as my heart slowly healed, it longed for home. But where? Where was that? My earliest identity was as a mountain person. So why were they so far away? Looking for community near mountains, I turned my face west.


One beautiful summer afternoon my brother was married in a Black Hills wedding; as my family celebrated, my weary heart was called home. And now I am here. Back to the place I didn’t know was waiting for me; a cabin ten miles outside a town of seven hundred people in the middle of the Black Hills. The town has a museum, but with dinosaurs, not art. There is no symphony, no traffic.  The pace is slow, people are welcoming. Relaxing and enjoying small town camaraderie, I marvel at the many kindnesses to this stranger.

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Now in my new home, a long leisurely drive over winding forest roads reveals a narrow green valley, lush with grasses thick along its sparkling stream. I bubble with joy. So beautiful and at the same time familiar, like a gift you opened long ago and had forgotten you had. The comforting babble of a stream once again fills the air. Pressing my hand on their cool surfaces, these rocks of green and gray are my touchstone. A whiff of pine recalls my early years; again I am a small child playing under evergreens. The wind rustles the golden aspen and beauty aches within me.

My heart remembers, this place that feels like home. The pine trees and rushing streams from my Western childhood connect me to this stage of my future. Embraced by the spirit of the Hills, I let my guard down, allow my hard edges to relax.  Here is peace and here I belong. My heart has found its home.

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Back on my porch, my sister and I sit, our rocking softly fills the evening air.  A faint whiff of horses in the far pasture reminds us of our horse long ago. Distant yips sound as coyotes make their way along the far ridge. We are content.

We sit wrapped in old quilts as the sky fades to dusk. The air cools, shivering our skin. Pines moan softly as evening stills the earth. Time is soft.
“You know, the mountains can be intimidating,” she answers me. “ Awesome from a distance but  unforgiving of mistakes Big. Dangerous.”



The sky deepens to purple. Chilly, we pull our quilts closer, hugging our arms around bent knees. Black trees, penciling feathery outlines, climb the ridge of the hill beyond the pale pasture. There is peace.
“This is what I think,” I reply, “I think they’re male. Mountains are male. Big and challenging, The Black Hills are female to me. Welcoming. Embracing. Softer. They nourish, nurture, enfold. They speak to my soul somehow. I can rest. I feel safe here.”



My heart knew. I’m a woman of the Hills.

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Beauty



Wonder



Home

Every Valley...


Isaiah 40:4

“Ev’ry valley shall be exalted, and ev’ry mountain and hill made low; the crooked straight and the rough places plain.”

"The prophet’s imagery in today’s text alludes to the ancient custom of preparing a highway for the arrival of an eastern monarch. The visiting king would send heralds ahead to repair roads, remove obstacles, and even to construct new roads. Heralds would go ahead and cry out: “Prepare the way for the coming king!”
Sometimes preparation meant that a road in a valley needed to be lifted, a rough way leveled, a crooked road made straight. Armies of workmen would busily prepare for the king’s coming. This is the imagery of today’s text: “Ev’ry valley shall be exalted, and ev’ry mountain and hill made low; the crooked straight and the rough places plain.”  T. Smith

Every valley shall be exalted. 

Exalt- to raise in praise or in estimation.  We exalt when we look carefully at someone or an event, even an object and raise its value by our careful evaluation and praise.  We exalt the Name of God when we carefully consider Him and praise Him- we raise Him to His rightful position. 

Isaiah says every valley will be exalted- raised to make way for the King.  Handel's music swells and lowers with the words.  Listen to Timothy Smith speak on musical "text painting". What a gift of God to Handel, and to us!


"In this joyful aria Handel employs a technique, common in the Baroque period, which he will continue to employ throughout Messiah. The technique is called “tone painting” or “text painting”, where a composer writes notes to mimic the words of the text. Handel uses music to paint an acoustic picture of the Scripture text. For instance, in the music listen to how the word “valley” ends on a low note, and how “exalted” ends on an ascending one. “Mountain” forms a high point in the melody, and “hill”, a smaller one. “Low” ends on a note further down the scale.
Listen how the soloist takes four notes to sing “crooked”, while singing “straight” in one straight, sustained tone. “Rough places” is short, separate notes making a rough sound.

The different sounds contrast the exalted and the low, the crooked and the straight, the rough places and plain. Handel’s use of tone painting helps us to visualize the transformation Messiah brings in His coming. It challenges all to be ready." http://www.waterfromrock.org/2012/12/04/tuesday-december-4-advent-devotional-2012/


Valleys






So what "valleys" in our lives need to be examined? Carefully considered and their true value estimated? 
 Is there a valley in your life that can be "exalted"? Lifted to its proper place? Valued?


My life has had mountains and valleys like any other life. My husband died. My children have broken my heart in small ways.  I left behind a beloved family home and those children can never return there for holidays and gatherings.  I have had seasons of great depression.  These are my valleys. 

But when examined,  reflected on with prayer,  their value can be fully appreciated. My husband is a breath away and eternity awaits us in the full presence of Jesus. My children are growing into mature, godly men and women who love me and desire my best.  I am creating a retreat home for this new season and God has provided richly more than I need.  I have learned to cling to my Abba, Father in those dark seasons and I can more fully minister to others who still walk in darkness. 

The valleys of my life have been exalted- lifted up to their proper height so the King of Glory can come, once more,  into my very being and renew me, create in me a new heart- a heart more centered on Him than on me.  There is a cost to filling in a valley- it no longer looks the way it once did,  old pieces are disrupted, the new path feels rough and unfamiliar. But it is good. It is a path to walk forward in the journey. 


Join me this Advent season- examine your valleys and let Him exalt them, make the crooked straight and the rough places plain.  Preparing the way for our coming King.

“Ev’ry valley shall be exalted, and ev’ry mountain and hill made low; the crooked straight and the rough places plain.”

Tuesday, December 4, 2012

Comfort ye, comfort ye my people...


Isaiah 40:1-3

“Comfort ye, comfort ye my people, saith your God. Speak ye comfortably to Jerusalem, and cry unto her, that her warfare is accomplished, that her iniquity is pardoned. The voice of him that crieth in the wilderness; prepare ye the way of the Lord; make straight in the desert a highway for our God.”
Once again we turn to Handel's Messiah and our Advent devotional. 

"The music calms and soothes, preparing us to hear a Word from the Lord. Roger Bullard describes the tenor solo breaking the dark silence:
“The obscurity is pierced by the tenor’s first note, 
like the ray of light illuminating the primordial dark
His rising line is the breaking dawn of a new day for God’s people, falling back into serene assurance, ‘Comfort ye my people’.”              Rev. Timothy Smith

"like a  ray of light illuminating..."

We need a ray of light - especially in a season of holy anticipation that has been obscured by electronic glare,  the harsh flourescence of big box stores, the sea of red brake lights in crowded parking lots. 

All we really need is a ray of true Light. And in Isaiah, we are promised true light- His comfort. "Comfort is coming, oh my people!" This people who had wandered and strayed. This covenant people with this strange solitary god whom they worshipped. What had he done for them?  They were in exile, their land in ruins, a foreign nation occupied their very cities. 

Are not we also in exile? 
 Have we not wandered and strayed?  
We are sojourners on an earth that is awaiting the completion of redemption.  We are not home.  

Where is His comfort?
Into our dark, He is coming. He has come. He will come again. And at Advent we remember. We remember the ancient nation waiting and His humble entry- incarnation, the Word made flesh. We remember when He came into our life- incarnate now in our lives, the living Word. 

We anticipate His coming again and we wait once more. Like the Israelites so long ago, we yearn for the coming of our Messiah, the visible Rule and Reign of God on earth. We are aware of our part in the great narrative -our warfare is accomplished, our iniquity is pardoned. Yet we groan and wonder. 

So what is our darkness? What is deep in me that needs His light? What is deep in you that needs His comfort?  He has come to comfort, to bring Light, to banish our darkness. 

Jesus once again addressed them: 

“I am the world’s Light. 
No one who follows me stumbles around in the darkness.

 I provide plenty of light to live in.” 
John 8:12   The Message



What does it look like to not stumble around in darkness? Do I yearn for Him like Isaiah? Do I speak comfort to those around me? Do I make straight  in the desert a highway for my God


Make straight in the desert

Advent- we wait. We prepare.  We ponder. And we are grateful for the Comfort-
 that came,
 that is here, 
that will come again.  






Comfort ye, comfort ye my people... prepare ye the way of the Lord.



Monday, December 3, 2012

Advent- We Wait

I was reminded today that, for me,  December is not a month of productivity. Yes, I shopped a bit for my family, I've set out a handful of nativities, I may write a year end letter.  But the days are short, my mood pensive, my fireplace and a book beckon me. And for the first time, I can embrace my solitude and aloneness at Christmas. I'm not sad, just aware that for me- this is a season of resting, restoring, relaxing.  Yes, I'm being totally counter-culture this year.

And I'm not writing. It bugs me but recently what I've written is flat, lifeless, dull. I have blogs half-done that give an account of my life activities but don't feel like they offer any life. So I've stuck them in my virtual desk drawer. Waiting.

Today I was also reminded that writing is a discipline, an exercise in diligence. I just needed a jump start.




I don't love Christmas. There- I've said it. Oh, I loved it when the kids were little and didn't care what was in the cardboard box. When their eyes sparkled with the lights of the tree. When their eyes reflected the flicker of a candle light service and their soft faces filled with wonder.   What I do love now is this picture of my grandson leaning into his first Christmas tree. 




But Christmas can get lost in the shopping, the busy and in my quest for perfection. So I've decided I will love Advent- the coming, the anticipation, the waiting.  The best part of shopping is going into stores and hearing snippets of carols glorifying God. And occasionally, the familiar pieces of the Hallelujah chorus. For I will always love Handel's Messiah.



When we lived in Italy, I sang in a community choir and we did selections from the Messiah.  It was one of those community choirs that accepts anyone and I was definitely an "anyone". People spoke of being on pitch, breathing between notes, watching the count, the pause, the... whatever. I just sang. And since I don't read music, I memorized my parts by listening to a cassette tape-this was the early '90's.  I would play, sing, rewind; play, sing, rewind. Even my kids could sing Handel by the night of the concert.

It was glorious. Making beautiful music. Being one with the choir.  And my daughter who brought me back to earth when she conspiratorially whispered to her teacher, "When they sing really high, my mother just has her mouth open. She can't sing then."  Ah, the honesty of a six year old.  It's a great family story and for years, my kids would break into a rich, theatrical "Comfort ye, my people...." at the first familiar bars of Handel that we played year after year.

Today I found a wonderful Advent tool. And it will be my jump start for writing. This long story introduces  Rev. Timothy Smith and his Advent devotional, featuring Handel's Messiah. I'm behind a day so we can catch up together. I hope you enjoy.

http://www.waterfromrock.org/2012/12/02/sunday-december-2-the-first-sunday-of-advent/


Join me as we wait and ponder and perhaps hear the Voice of our Father in Handel's wonderful music.


The darknes surrounds me.... I wait. 




"The somber opening chords of the Overture echo the darkest days of the prophet Isaiah. Handel writes the Overture in the minor key which Western ears hear as darkness, suffering, and dissonance; there are things that need to be resolved. God’s people have forsaken God and are in bondage and misery. We hear rising sequences of notes striving to break free, but falling back again. The minor key creates the sense of no hope.
.... Amidst the darkness and dissonance we are being summoned to make ourselves ready. The King of Kings will soon be appearing."